«Fear no more the heat o’ the sun,
Nor the furious winter’s rages.
A conservative para-graphic redesign of one of the first affiches of the Tragedy’s play. From the material collected and the different editorial publications analyzed here’s now, in a poster format, as a gift to a dear one, in a modern and present layout, contaminated by my personal visual taste and a playful couple of custom ornamental dividers».
2026
50x70 cm
1/1 printed on Enviro®nature 150g
Hershey Noailles Times Triplex + TT Old Standard by Luuse.
“The Tragedie of Cymbeline” by William Shakespeare.
«Not to money not to love not to the sky.
A visual reinterpretation of the original vinyl’s cover from the 1971 of Fabrizio De André’s masterpiece. Shaped like a map, it unfolds like poppy flowers’ leaves, leaving a trace in your heart while guiding your emotions through the sharp words of each song».
2026
18,5x21 cm & 5x2 folds
1/1 printed on Favini alga ivory
Bianco Sans & Serif by AlfaType + Arnold Bocklin.
“Non al denaro non all’amore né al cielo” by Fabrizio De André.
«A playful type-based visual system to enrich the visual identity of BySalomonHospitality, from white to black, playing with grey, a set of simple letter adapts to the different printed formats to define a flexible grid, able to define space and deliver structure to the company’s image».
2025
Printed system refresh
Neue Haas Grotesk by Max Miedinger at Commercial Type.
Designed at Todo En Orden Estudio.
«Bench is a design collective that reimagines the public bench as a space for presence and connection in a world of digital overload, social distancing, and constant productivity. Bench reminds us the unspoken meaning of the ordinary, and that in stillness, we reclaim our humanity, in our public spaces».
Collective Identity & physical/digital strategy
Master project at Elisava
Co-designed with T. Morara & A. Guerrero
Timezone 1.0 Regular & Mono by Studio HanLi.
«An editorial piece, crafted to trace a path experimenting new paper treatments. Using trees’ bark as embossing matrix, the obtained pattern samples were selected to explore a new physical and tactile way of communicating the natural’s ecosystems in our cities. The final goal is also to reconnect to the source: the paper to the tree».
2025
Cahier de projet on bark embossing
12x17 cm digital print & metal ring binding
Vegetal & Crush Cocoa + custom natural Leather cover
Courier New + Bodoni Ornaments
Mentored by Ruben Pater.
«I collect wine corks, so I started to design a typeface based on it. Its not meant to be used, yet, but is my starting point for me to learn and discover shapes & proportions in type design».
2025
Experimental monospaced typeface
78 upper and lowercase glyphs
mentored by Mark Bohle and Dominik Thieme.
«To search and be able to recognize who and what,
in the midst of hell is not hell,
and to make it last, and to give it space.
A reminder to keep digging, creating, and preserve».
2025
30x60 cm metallic foil print
Eco-Craft ash grey
Avara Bold by Raphaël Bastide.
“Le città invisibili” by Italo Calvino.
«A flexible uppercase only modular and mono type-set, born from the curiosity of blending physical aspects of tiles and welded pipes. Inspired by the streets of Barcelona, the focus was brought to the intersections of the stems. A soft yet digital set of glyphs and icons was generated in a four days experimental workshop».
2024
Flexible typeface system
Workshop mentored Martin Lorenz.